Friday, March 6, 2009

Leonardo da Vinci The Madonna of the Carnation

Leonardo da Vinci The Madonna of the CarnationLeonardo da Vinci da Vinci Self PortraitRembrandt The Return of the Prodigal Son
as she could latch on to a thought it evaporated, leaving nothing behind.
She was losing chunks of herself, and she couldn't remember. what she was losing. She panicked, burrowing back to the things she was sure of ....
I am Esk, and I have stolen the body of an eagle and the feel of
wind, adding their own bass humming to her chant.
Then they were gone, soaring into the growing light over the clearing and streaming away over the trees.
It is well known- at least, it is well known to witches - that all colonies of bees are, as it were in feathers, the hunger, the search of the not-sky below .... She tried again. I am Esk and seeking the windpath, the pain of muscle, the cut of the air, the cold of it .... I am Esk high over air-damp-wet-white, above everything, the sky is thin .... I am I am. Granny the beehives, the early morning wind whipping at her skirts. She went from hive to hive, tapping on their roofs. Then, in the thickets of borage and beebalm that she had planted around them, she stood with her arms outstretched in front of her and sang something in tones so high that no normal person could have heard them. But a roar went up from the hives, and then the air was suddenly thick with the heavy, big-eyed, deep-voiced shapes of drone bees. They circled over her head

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