Friday, September 19, 2008

John William Waterhouse The Lady of Shalott painting

John William Waterhouse The Lady of Shalott paintingLeonardo da Vinci The Last Supper paintingLeonardo da Vinci Mona Lisa Smile painting
he had been brought up, meant only one thing.
The two young people were having tea together. Hector watched for some time from his place on the sofa, barely stifling his growls. A climax was reached when, in the course of some barely intelligible back-chat, Mike leant forward and patted Millicent on the knee.
It was not a serious bite, a mere snap, in fact; but Hector had small teeth as sharp as pins. It was the sudden, nervous speed with which Mike withdrew his hand which caused the damage; he swore, wrapped his hand in a handkerchief, and at Millicent’s entreaty revealed three or four minute wounds. Millicent spoke harshly to Hector and tenderly to Mike, and hurried to her mother’s cupboard for a bottle of iodine.
Now no Englishman, however phlegmatic, can have his hand dabbed with iodine without, momentarily at any rate, falling in love.
Mike had seen the nose countless times before, but that afternoon, as it was bowed over his scratched thumb, and as Millicent said, “Am I hurting terribly?”, as it was raised towards him, and as Millicent said, “There. Now it will be all right,” Mike suddenly saw it transfigured

1 comment:

PaintingHere.com said...

John William Waterhouse The Lady of Shalott painting"