Watts Love And Life painting

Watts Love And Life painting
hassam The Sonata painting
Pino Soft Light painting
Rembrandt The Return of the Prodigal Son painting afforded by the uneven surface of the sculpture. The towers, over whose surface he might often be seen creeping like a lizard up a perpendicular wall—those two giants, so lofty, so grim, so dangerous—had for him no terrors, no threats of vertigo or falls from giddy heights; to see them so gentle between his hands, so easy to scale, you would have said that he had tamed them. By dint of leaping and climbing, of sportively swinging himself across the abysses of the gigantic Cathedral, he had become in some sort both monkey and chamois, or like the Calabrian child that swims before it can run, whose first play-fellow is the sea.
Moreover, not only his body seemed to have fashioned itself after the Cathedral, but his mind also. In what condition was this soul of his? What impressions had it received, what form had it adopted behind that close-drawn veil, under the influence of that ungentle life, it would be hard to say. Quasimodo had been born halt, humpbacked, half-blind. With infinite troubled and unwearied patience Claude Frollo had succeeded in teaching him to speak. But a fatality seemed to pursue the poor foundling. When, at the age of fourteen, he became a bell-ringer at Notre-Dame, a fresh infirmity descended on him to