Wallis Roman Girl painting
Raphael Madonna and Child with Book painting
Cole The Notch of the White Mountains (Crawford Notch) painting
Bastida El bano del caballo [The Horse's Bath] painting
clouded and severe, although his speech was habitually brief, harsh, imperious, never for one single moment did that gratitude falter. In Quasimodo the Archdeacon possessed the most submissive of slaves, the most obedient of servants, the most vigilant of watch-dogs. When the poor bell-ringer became deaf, between him and Claude Frollo there had been established a mysterious language of signs, intelligible to them alone. In this way, then, the Archdeacon was the sole human being with whom Quasimodo had preserved a communication. There were but two things in this world with which he had any connection: Claude Frollo and the Cathedral.
The empire of the Archdeacon over the bell-ringer, and the bell-ringer’s attachment to the Archdeacon, were absolutely unprecedented. A sign from Claude, or the idea that it would give him a moment’s pleasure, and Quasimodo would have cheerfully cast himself from the top of Notre-
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