Pierre-Auguste Cot The Storm painting

Pierre-Auguste Cot The Storm painting
Rembrandt The Return of the Prodigal Son painting
Cliff churchyard, and from the commanding eminence watch the wide sweep of sea visible to the north and east, called attention to a sudden show of ‘mares tails’ high in the sky to the northwest. The wind was then blowing from the southwest in the mild degree which in barometrical language is ranked ‘No. 2, light breeze.’
The coastguard on duty at once made report, and one old fisherman,who for more than half a century has kept watch on weather signs from the East Cliff, foretold in an emphatic manner the coming of a sudden storm. The approach of sunset was so very beautiful, so grand in its masses of splendidly coloured clouds, that there was quite an assemblage on the walk along the cliff in the old churchyard to enjoy the beauty.Before the sun dipped below the black mass of Kettleness, standing boldly athwart the western sky, its downward was was marked by myriad clouds of every sunset colour, flame, purple, pink, green, violet, and all the tints of gold, with here and there masses not large, but of seemingly absolute blackness, in all sorts of shapes, as well outlined as colossal silhouettes. The experience was not lost on the painters, and doubtless some of the sketches of the ‘Prelude to the Great Storm’ will grace the R. A and R. I. walls in May next.